Opening line: “To start with, look at all the books.”
It’s hard to deny my attraction to a book that begins this way. A coworker of mine several years ago told me that as a former English major, I should definitely read The Marriage Plot. She was right — it’s got the fixings to a novel I should love: literary references out the wazoo, multiple character perspectives, a sense of epic storytelling (crossing time periods and oceans), and a complicated romance.
Madeleine Hanna is an English major working on her thesis about the “marriage plot” of literature’s great novelists, like Jane Austen, George Eliot, and the Brontes. But while her intellectual mind is caught up in the romantic structure of the page, her real life romance is much more complicated, featuring two very different gentlemen. The first is Mitchell, who was “friend-zoned” freshmen year but still holds a torch for our heroine, while the second is Leonard, a mysterious biology student who intrigues and enchants Madeleine like no one has before. And while this might sound like the makings of a very common modern-day marriage plot, Eugenides does what he does best by complicating things with intense, intricately-crafted characters. Mitchell heads off to Europe and India after college with his roommate to figure out what the hell he’s doing with his life with or without Madeleine, while Madeleine and Leonard deal with Leonard’s apparent bipolar disorder, or as it was known in the 1980s when this tale is set, manic depression.
I liked this book. I wouldn’t stretch it to love, but, like I said before, what Jeffrey Eugenides does, he does well (see my review of his previous book Middlesex). I admire his character development, the vastness of his landscape, both in terms of time and place, and his way of piecing together stories in a way that adds depth and intrigue.
1.5 stars, edging to 2.